Texas Monthly wrote up an excellent article a few years back on why Houston should be the capitol of Texas. A few choice quotes:
…Houston—whose city father, incidentally, was known for his shaggy mane, gaudy head scarves, and Indian sashes—effortlessly goes about being one of the strangest and most wonderful metropolises on earth.
Consider first a few of its contrasts: For nine of the past eleven years, U.S. News & World Report has named MD Anderson the top cancer hospital in the country, while the Rothko Chapel will forever be an idyllic meditation space and the foremost shrine to suicidal depression on the planet. Rice is the state’s only private university with Tier One status (and the University of Houston is vying to become only the third public university in Texas with that status), while 2013 marks the twenty-sixth annual Houston Art Car Parade, a rolling spectacle and movable feast for the eyes like none other. Houston is home to more Fortune 500 companies than any American city outside New York and more taquerías than any ciudad this side of Monterrey.
Then there’s our sheer cultural heft. More than two million people avail themselves yearly of ballet, Broadway shows, opera, plays, and symphonic music at the nine arts venues downtown. Taken together, the seventeen-square-block theater district has more concentrated seating for arts events than any place besides Broadway. Seven million people a year stroll through Houston’s nineteen museum district attractions; last year the Houston Museum of Natural Science almost doubled in size with a 115,000-square-foot expansion that includes the gobsmacking, Smithsonian-level Morian Hall of Paleontology. And need I mention NASA, or that “Houston” was the first word spoken on the moon?
More so than ever, Austin lacks gravitas. A city can get away with such a deficiency so long as it is creating great, transcendent art, but is Austin doing that? It calls itself the Live Music Capital of the World, and yet one wonders if the entire Austin music movement of the past forty-plus years has sold as many albums as Destiny’s Child and Beyoncé—to name but one Houston hit-making machine. And I won’t even talk about how the city has tried to steal Houston’s folk-country legacy of Crowell, Townes Van Zandt, Guy Clark, and Steve Earle. Then there’s H-Town’s hip-hop scene, from the Geto Boys and UGK to Slim Thug and Chamillionaire, which is rivaled in the South only by Atlanta’s.
Click here and read the full article. Let ’em know, Houston is the greatest city!